News / artwork

Shiva Rose: Vogue.com

Andrew Franciosa
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Taking Cues from Resort 2014: Board Shorts

Andrew Franciosa
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Congratulations to artist Phyllis Galembo

 

This year's Venice Biennale, as curated by Massimiliano Gioni, opens on June 1st, and runs through the end of November.  As artistic director of the 55th International Art Exhibition, Gioni is evoking the self-taught Italian-American artist Marino Auriti by titling this year's affairs the Encyclopedic Palace. On November 16th, 1955, Auriti filed a design with the US Patent Office depicting his Palazzo Enciclopedico, which was an imaginary museum meant to house all worldly knowledge, bringing together the greatest discoveries in a 136-story building that would stand 700 meters tall and take up over 16 blocks in Washington, D.C.

 

"Auriti’s plan was never carried out, of course, but the dream of universal, all-embracing knowledge crops up throughout history, as one that eccentrics like Auriti share with many other artists, writers, scientists, and prophets who have tried—often in vain—to fashion an image of the world that will capture its infinite variety and richness," said Gioni in a statement.

 

Among the 155 artists and special exhibits being featured in this year's exhibition is Phyllis Galembo. John Patrick first met Phyllis back in the late 1970s, as introduced by artist Jan Galligan, and the two have been longtime friends and mutual supporters ever since. Phyllis' inclusion in this year's Venice Biennale is well-deserved and we are so excited that she is representing the USA in Venice.

 

The above image is detail from Phyllis Galembo’s “Cowboy, Tumus Masquerade Group, Winneba, Ghana” (2009), as featured in the New York Times

 

KC Orcutt
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The work of artist Victor Castro

Victor Castro is a contemporary artist, born in Mexico and currently creating and living in the United States. His work is created using collected materials and aims to inspire conscious re-thinking of materials we use every day.

As promised, here is another image of work from our friend Victor

KC Orcutt
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